为所应为

A group of teenage girlfriends deal with life after high school.

　　曾有过一次失败婚姻的上班族加贺美淳（安田显 饰）和第二任妻子千惠（荣仓奈奈 饰）已经结婚三年了，对他来说“三年之痒”近在眼前，他和妻子都必须好好考虑一下是否有必要继续维持这段婚姻。某晚下班回家，加贺美恐惧地发现千惠倒在血泊之中，但他很快发现，原来妻子在用这种方法逗他开心。原本以为只是一时兴起而为之，谁知此后每天千惠都要花样百出地死在加贺美面前。加贺美一面费尽心力配合老婆的演出，一面还要苦苦思索千惠这番作为背后的真意。为此他向职场好友佐野（大谷亮平 饰）大吐苦水，然而对方看似美满的婚姻也有着无法逾越的鸿沟。妻子的表演仍在继续，他们的婚姻将何去何从……
　　电影取材自2010年在日本雅虎知惠袋上的提问，提问者写下的妻子奇特行为当时在网络上引起很大反响。

香港富豪何老板来到深圳的地下拍卖行，买走一幅出土不久的名画。因害怕被警方查获，便安排一直有合作的顺风车司机贾山川押送画，自己则坐在另一辆车上跟随监控。不料，车子没开出多久，便被碰瓷人阻挡了去路，跟贾山川失去联系。其实这时，贾山川正被网恋了两个月，却从未见过面的"女友"小雅引到了婚礼现场。等二人再见面时，恍然发现，放在贾山川车上的画不翼而飞。贾山川成为第一怀疑对象，为自证清白，同时也为得到何老板开出的巨额寻画奖金，便与何老板一起踏上寻画路。与上级失去联系的小雅，无意中听到何老板承诺给贾山川巨额赏金一事，也动了心，于是主动提出加入。一辆车，三个各怀鬼胎的人，开启了一段奇幻的寻画之旅……

在传说中的年代，女吸血鬼卡米拉以女性为猎物祸及英国乡间，终于有勇士借圣剑威力将其封印，但卡米拉旗下一干女性吸血鬼得以隐匿……英国青年吉米（Mathew Horne 饰）最近被红杏出墙的神经质女友抛弃，好友胖子弗莱奇（James Corden 饰）则丢掉了小丑的工作，二人为排遣郁闷，前往用飞镖确定的不知名英国乡下远足。 　　两人临近目的地，在一间酒吧内见识神秘牧师向当地居民发出警告，四名靓丽女子旅游经过此处，于是六人结伴前行，其中一人罗提似对当地的吸血鬼传说颇有认识，并默默属意吉米。当夜，女吸血鬼们袭击了这些年轻人，并将吉米和罗提掳走作为唤醒卡米拉的祭品，弗莱奇与随后赶到的牧师挖掘出圣剑，与这些擅于摆造型的女吸血鬼展开了战斗……

　　虚构的世界Royston Vasey面临末日，唯一能阻止灾难的方法是奇怪的居民（恶梦般的角色）找到通往真实世界的途径并迎战他们的创造者。而从如今的伦敦索霍区到虚构的17世纪英国，居民们必须克服一系列奇怪的障碍，安全地返回心爱的村庄。这部古怪的喜剧片翻拍自非常成功，倍受观众喜爱的BBC连续剧。

　　张成功（李威 饰）拥有着英俊帅气的外表，刚刚从国外留学归来的他顶着牙医学博士的头衔，在国内收到了各种莺莺燕燕的殷勤追捧。然而，张成功的眼里只有一个人，那就是韩雪霏（苏小妹 饰），可是韩雪霏对待张成功的态度却非常的冷淡，不仅如此，她的个性大大咧咧，是一个实打实的女汉子，韩雪霏身上究竟是哪一点在深深的吸引着张成功呢？
　　就在张成功和韩雪霏之间的关系剪不断理还乱之时，身材火爆而又性感的女演员毛毛（付曼 饰）加入了这场爱情争夺战之中。与此同时，韩雪霏的身边出现了潇洒多金的公子哥阿B（崔文璐 饰），不仅如此，就连韩雪霏的妹妹韩晓丽（童苡萱 饰）也向张成功暗送秋波。

　　九一八事变后，东北沦陷，天津某剧社演员陈彼得（陈佩斯 饰）不甘当亡国奴，立誓要做民族英雄。一日，正当剧院上演爱国题材话剧时，男一号罢演，救场如救火，导演（赵雍 饰）只好让陈彼得顶替，结果大获成功，台下看演出的宋将军（侯永生 饰）对陈的表演大加赞赏。当时宋将军来天津是为抗日部队采购军火，不料遭日谍龙太郎（陈佩斯 饰）刺杀，宋将军巧妙躲过一劫。龙太郎诱骗陈彼得再次行刺，结果阴差阳错，反而杀了龙太郎的人，宋将军大难不死，与彼得结下友谊。龙太郎闻讯恼羞成怒，四处追捕陈彼得，走投无路的彼得躲进一家整形医院，被医生按在手术室的床上，不由分说在脸上动了手术，手术后的彼得活脱脱变成了龙太郎。得知此情，龙太郎吩咐手下照自已的长相上街抓人，结果笑料百出……

　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years) obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work Manhattan move Europe trip her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.