2085年，地球已经成为废土，仅有的幸存者也都染上了不治之症。乔，一个还未成年的小伙、世界上最后一名电影人，和另一位迷影收藏家爷爷莎士比亚，带着手持摄像机和一众电影珍藏前往最后的圣地雅典，记录下人类文明弥留之际的狂欢与崩塌。影片虽以主人公第一视角徐徐展开，但自然平和的语调赋予了观看者以独立视角静观思考的机会。不仅背景设定与当下社会产生互文，多元的跨国阵容更为影片平添普世的宿命感，让文本中的遗言具有现实醒世的意义。迷影元素遍布全片，属于电影的惊喜静待观众发掘。
时间是1979年，美国俄亥俄州一个平凡小镇。少年乔·兰布（乔尔·科特尼 Joel Courtney 饰）痛失母亲，生死悲痛让他久久地沉默。数月后，他应好朋友查尔斯（雷利·格里芬斯 Riley Griffiths 饰）的邀请，决定约上几个朋友一起用超8摄像机（8 mm）拍摄一部恐怖电影。当然令他下定决心的，是那个令她心仪的美丽女孩爱丽丝（艾丽·范宁 Elle Fanning 饰）也参与其中。在某个夜晚，爱丽丝驾驶父亲的汽车载着伙伴们来到火车站拍戏，谁知却目睹了一场极其惨烈的火车事故。 这起事故还只是一系列不寻常事件的开始，小镇上的人们相继离奇失踪，各种奇怪的事件也接连发生。少年们的摄像机记录关于这一切的秘密……
朱利叶斯·凯尔教授是一个懦弱的人，经常被别人作弄。当一个足球教练在他的全班学生和他喜欢的漂亮学生斯特拉面前侮辱他之后，他决定配制一剂药。当他喝下这剂药后，他变成了一个人人都喜爱的广为人知的充满野性的动物，而且他不再害怕和斯特拉说话。但有一个问题就是，这副药的能量会很快用光。
小狄（徐娇 饰）是一个在贵族学校念书的穷孩子。他诚实善良，却总是遭到富家子的欺负和嘲笑。小狄和爸爸（周星驰 饰）住在一所废弃的旧房子里，爸爸每天拼命的工作，就是为了让他念好书，将来出人头地。 平日，小狄总是很乖，就算体育课因为没有运动鞋而被老师罚站，他也从不埋怨爸爸。可是这一次，为了一个大家都有的玩具，小狄跟爸爸发起脾气来。爸爸买不起，就在垃圾堆里捡了一个“球”给儿子玩。谁知，这个透明的小球却变成一只活泼可爱，拥有超能力的太空狗。小狄欣喜极若狂，给他取名叫“长江七号”。小狄梦想着用七仔的超能力考100分，却没想到七仔非但没有帮到他，却让他得了个零蛋。他偷偷修改了成绩单，跟爸爸说了一次谎。爸爸大怒，小狄离家出走，赌气要凭真本事考好成绩给爸爸看。谁知，正当小狄笑着，拿着成绩单的时候，工地发生事故，爸爸从楼上摔了下来……
British Army radiation drills at a remote Scottish base attract a subterranean, radioactive entity of unknown nature that vanishes, leaving two severely radiation-burned soldiers... and a "bottomless" crack in the earth. Others who meet the thing in the night suffer likewise, and with increasing severity it seems to be able to "absorb" radiation from any source, growing bigger and bigger. What is it?? How do you destroy a thing that "feeds" on energy?
洛杉矶最近黑帮的团伙成员一个个被人残忍杀害，警局认为黑帮火拼又开始了。于是派出探员麦克（丹尼•格洛弗 Danny Glover 饰）去调查这次事件，并将凶徒乘之于法。不料麦克出师不利，反遭这些凶徒袭击，差点丧命。凶徒能杀人于无形，具有隐身的能力。 原来这是一群来自外星的专门狩猎人类的怪物，能隐身、身上具有多种武器并能利用红外线监测到人类准确位置。联邦调查局也注意到了这一情况，他们派出了特别行动小组想活抓这些怪物作研究。然而麦克心里只有消灭怪物未受害者报仇这一念头……
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
一个年轻人有一种罕见的礼物，可以识别他听到的每一个声音。在一艘法国核潜艇上，一切都依赖于他，金耳朵。 看上去绝对可靠，他犯了一个错误，让船员处于死亡的危险之中。他希望重新获得同志的信任，但他的追求会让他们陷入更加戏剧化的境地。 在核威慑和错误信息的世界中，他们发现自己被困在一个无法控制的装备中。
一个运气不佳的自行车手迈尔斯某天偶然发现一只先进、机器、军用的机器狗A.X.L.，其心脏是真狗的心脏，其他部位装备新一代人工智能。迈尔斯和AXL在日常交往中逐渐增进感情，而无赖军事科学家要不顾一切将AXL捉回，迈尔斯与他的梦中情人、足智多谋莎拉组队，为保护他的新朋友，踏上了一段史诗般的冒险旅程。
犹太天才数学家马克西·米利安·科恩（希恩·格莱特 Sean Gullette饰）痴迷沉醉于数字的世界，他认为一切自然界的事物都可以用数字解释。他潜心研究，试图透过数字推演出种种生命迹象背后的奥秘和规律。可越是逼近答案，他越是无法忍受致命的头痛。他发现了过去十年来股票市场的混乱波动，其实是由背后的一套数学模式在操纵。与此同时，他的研究引来了华尔街股票市场的炒家们和犹太神秘教派的注意。在介乎真实与虚拟的世界中，马克西正在走向疯狂。 1996年2月，阿伦诺夫斯基开始筹备这部成本只有六万美元的长片处女作。两年后，《死亡密码》以其新颖的创意和崭新的拍摄手法，一鸣惊人。先是斩获圣丹斯电影节的导演奖，翌年又摘得独立精神奖的最佳编剧处女作奖。2000年，他再次自编自导了《梦之安魂曲》，也赢得了不错的反响。2005年，他还入围“最需要关注的好莱坞100人”。
凯撒（安迪·瑟金斯 饰）领导的猿族将被迫与残暴的Colonel（伍迪·哈里森 饰）领导的人类军队上演一场生死大战。猿族在战斗中遭遇了前所未有的重创，由此激发了凯撒内心中黑暗的一面，心中燃起复仇的烈火。最终，凯撒与Colonel面对面进行了一场关乎猿族和人类命运的终极之战。
